Archive

Volume 31 (70). № 4, Part 3, 2020

Title page

Contents

RUSSIAN LANGUAGE

Menshikov I. I.
LINEAR DIAGRAM OF A COMPLEX SENTENCE IN THE MODERN RUSSIAN LANGUAGE (LINGUISTIC CONTENT AND CONSTRUCTION METHODOLOGY)

Sadova Н. Yu.
GRADATIONAL CONSTRUCTIONS IN THE WORLD FOLKLORE PICTURE

TRANSLATION STUDIES

Afonina I. Yu., Voroshylova M. A.
INTERPRETATION OF ARTISTIC MEANS WHILE TRANSLATING TARAS SHEVCHENKO’S “ZAPOVIT” (“TESTAMENT”) INTO ENGLISH

Holter I. М.
CHANGING THE HISTORICAL PARADIGM OF VIEWS ON VARIETIES OF REGULATORY REQUIREMENTS IN TRANSLATION

Doroshyna L. F., Tkach P. B.
VERBAL EXPRESSION OF PLANT LIFE IN UKRAINIAN-ENGLISH TRANSLATION (ON THE MATERIAL OF THE “THE ENCHANTED DESNA” MOVIE-ESSAY BY O. DOVZHENKO)

Karpenko N. А.
RENDERING THE PRAGMATICS OF PROPER NAMES IN TRANSLATION OF UKRAINIAN FAIRY TALES INTO ENGLISH

Krasulia A. V., Shyshka T. O.
LINGUOSTYLISTIC FEATURES OF THE “CHICK-LIT” GENRE AND WAYS OF THEIR TRANSLATION (BASED ON THE NOVEL BRIDGET JONES’S DIARY BY HELEN FIELDING)

Krylova T. V., Zinenko O. A.
LINGUO-CULTURAL SPECIFICITIES OF CONVEYING EMOTION IN UKRAINIAN TRANSLATION OF M. ETWOOD'S NOVELS “THE STORY OF A MAID” AND “THE WILL”

Lyntvar O. M., Pletenetska Yu. M.
REPRESENTATION OF THE “CHORNOBYL” CONCEPT LANGUAGE EXPRESSION IN THE ENGLISH TRANSLATION

Nechyporenko M. Yu.
TRANSLATION OF UKRAINIAN FICTION IN THE MODERN SOCIO-CULTURAL CONTEXT

Poduholnikova Z. O., Povoroznyuk R. V.
STRATEGIES AND TACTICS OF RENDERING MUSICAL SCREEN VERSIONS

Prokopenko A. V., Rava V. М.
CORRELATION OF COGNITIVE PROCESSES AND WORKING MEMORY OF A TRANSLATOR

Svider I. A.
TRANSLATION OF COMPLIMENTS: GENDER ASPECT

Siroshtan T. O., Prokopenko A. V.
DIFFICULTIES IN TRANSLATION OF ENGLISH CINEMATOGRAPHIC TEXT

Smyrnova M. S., Khorovets V. Ye., Perepelytsia A. D.
TRANSLATION TRANSFORMATIONS IN THE “GAME OF THRONES” SEQUEL BY GEORGE R. R. MARTIN (BASED ON ENGLISH, GERMAN AND UKRAINIAN LANGUAGES)

Stasenko R. Yu.
PECULIARITIES OF TRANSLATION OF ETHNONYMS AS LANGUAGE MARKERS OF ETHNIC STEREOTYPES IN GERMAN-LANGUAGE LITERATURE OF AUSTRIAN GALICIA

Ushenko D. O., Hniedkova O. H.
HOW TO TRANSLATE PHRASEOLOGICAL UNITS IN MEDIA DISCOURSE

COMPARATIVE-HISTORICAL AND TYPOLOGICAL LINGUISTICS

Galynska O. M.
KEY ETHNICAL CONCEPTS THROUGH PRISM OF LINGUOCULTURES (BASED ON UKRAINIAN AND ENGLISH FOLK PHRASEOLOGY)

Huseynova Sabina Chingiz gizi.
LOCATION OF PARALLEL COMPONENTS AND THE MAIN MEMBER (ON THE MATERIAL OF THE MEDIEVAL EPOSES “DADA R ORKUD” AND “SONG OF THE NIBELUNGS”)

Kotsiuba Z. H.
HETEROGENEITY OF COLLECTIVE NOTIONS OF GENEROSITY AND STINGINESS IN SLAVIC, GERMANIC AND ROMANCE PAROEMIAS

Shvelidze L. D.
COOPERATIVE COMMUNICATION STRATEGIES OF INTERACTION IN SOCIAL MEDIA (BASED ON MESSAGES FROM UKRAINIAN AND AMERICAN USERS)

STRUCTURAL, APPLIED, AND MATHEMATICAL LINGUISTICS

Cherepanyn Kh.-M. V.
INFORMATION REPRESENTED IN THE WHOIS DATABASE

LITERARY STUDIES

Garachkovska O. О.
CHEKHOVSES INTERTEXT IN THE GRIGOR TIUTIUNNIC’S CREATIVITY

Zhaboruk І. A., Gerkerova O. M., Milova M. M.
HISTORICAL ASPECT OF GENRE CATEGORY

Lysenko N. V., Lapushkina N. P.
EVENT AS A UNIT OF THE IDEOLOGICAL LEVEL OF A LITERARY WORK

Nasalevych T. V., Ryabukha T. V., Lopushansky I. O.
DEVELOPMENT OF COMICS AS A GENRE OF MODERN LITERATURE

Nikolaievа O. Yu.
THE CONCEPT OF THE CHARACTER IN THE DRAMA OF OLEXANDER IRVANETS

Nikolenko O. М., Derii M. A.
LOVE OF LIFE AS A LEIMOTIV OF JACK LONDON’S “NORTHERN STORIES”

Nikolenko O. М., Chyzhevska A. О.
PECULIARITY OF THE NARRATIVE MODE IN W. THACKERAY’S EARLY NOVELS (“CATHERINE”, “THE LUCK OF BARRY LYNDON”)

Seyidzada Jahan Miramin.
PRIMARY GOTHIC IN THE WRITINGS BY JANE AUSTEN AND “NORTHANGER ABBEY” NOVEL

Khachaturian K. R.
REPRESENTATION OF CATEGORIES OF TIME AND SPACE IN THE STRUCTURE OF AN ARTISTIC TEXT: ON THE MATERIAL OF PANAS MYRNY'S NOVEL “DO OXEN LOW WHEN MANGERS ARE FULL?”

RUSSIAN LITERATURE

Yeliseienko A. P., Kibenko L. M.
INTERTEXTUAL LINKS IN THE STORY BY B. SADOVSKOY “DEAD SWIMMER”

Karpina O. S.
HISTORIOSOPHICAL SENSE OF THE TITLE OF VS. S. SOLOVYOV’S PENTALOGY “THE CHRONICLE OF FOUR GENERATIONS” AND THE NOVELS WHICH IT IS COMPOSED OF

SLAVIC LITERATURE

Paliy O. P.
THE POETICS OF GROTESQUE IN THE CZECH POSTMODERNISM (PAVEL KOHOUT’S NOVEL “THE HANGWOMAN”)

COMPARATIVE LITERATURE STUDIES

Boron O. V.
TARAS SHEVCHENKO'S NOVEL “VARNAK” (ENGL. THE CONVICT) AND VICTOR HUGO'S NOVEL “CLAUDE GUEUX” IN A TYPOLOGICAL COMPARISON

LITERARY THEORY
Vykliuk A. O., Khudyk K. H.
PECULIARITIES OF THE TYPES OF SUSPENSE IN THE NOVEL BY DAN BROWN “THE LOST SYMBOL”

Liubetska V. V., Erman K.
COMPREHENSION OF THE COMIC IN THE ARTISTIC WORLD OF N. TEFFI

Chirkov A. S.
DRAMATURGY AS A METAFORM OF PERFORMANCE ARTS

INFORMATION ABOUT AUTHORS